Once, Helena led a charmed life. After eloping with the
charismatic Captain Chase Martin, she left behind her childhood country home
for a blissful life in London. Devastated by the death of her husband during a
labor riot, she has spiraled into depression and agoraphobia, which she now
combats solely for the sake of her children. When her grandmother summons
Helena to her deathbed, terror at the thought of such a trip clashes with her sense
of duty and affection toward her grandmother. Facing the village’s enmity for
her long-ago betrayal, Helena finds an unlikely ally in her former fiance’s
brother, Daniel Linfield. When Daniel travels to London for business, the last
person he expects to encounter is the woman who jilted his brother years ago,
destroying a land deal that would have been a boon to the whole village of
Marksby.
Despite his family’s long-standing grudge against her and
his own deep-rooted mistrust of women, he finds her vulnerable and in need of
help he is in a unique position to provide. Logic and duty overrule his
animosity as he offers to transport her and her niece home. The return to
Marksby is argumentative, tumultuous and illuminating for both Helena and
Daniel as an unwelcome but undeniable desire grows between them. Helena must
face the consequences of her choices, while Daniel wrestles to overcome his own
past and his shifting loyalties. When Helena returns to her London home and
family, both face momentous decisions about their future together.
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Author Info:
I write historical romance set mainly in Victorian
London. Currently, I’m focusing on the mid-nineteenth century (the 1850s). I
have a PhD in English literature, specializing in 19th-century British novels,
so much of my academic background filters into my fiction writing. In my other
life, I’m a community college professor of English literature and composition.
I hope my books never come across as dry, didactic, or intellectual just for
the sake of being intellectual.
I’m married and have a wonderfully supportive spouse and
family. Really, I couldn’t do what I do if they weren’t so committed to my
happiness. They’re remarkably understanding about work that takes me away from
them.
I didn’t think of myself as a writer until a few years
ago (approximately 2006-ish). Sure, I’d written little throw-away snippets in
high school. I vaguely remember writing silly “meet cute” vignettes about my
best friends in high school, including one of my friends encountering her true
love while riding a horse through the French countryside. I’ve lost touch with
that friend, but I’d like to think maybe she did meet a significant other that
way.
Still, I didn’t think I had what it takes to be a writer
until relatively recently. Then, I happened to read a few books like Diana
Gabaldon’s Outlander and Audrey Niffeneggar’s The Time-Traveler’s Wife and was
inspired. What could it hurt for me to try, right? When I opened the
floodgates, lots of burgeoning ideas came rushing out. Let’s see…I started a
literary fiction (set in the same time period I’m writing now–Victorian) and a
contemporary women’s fiction (Practical Magic meets, hmm, maybe “Babel”) and a
Young Adult contemporary (a YA modernization of Don Quixote). I was all over
the place. And I was still learning. I am still learning. I am ALWAYS learning.
A couple of years ago, I decided to do something entirely
different. Historical romance enabled me to combine two of my favorite things:
Victorian history/literature/culture and happy endings. I hope the fire and joy
I feel when writing these historical romances translate to my readers.
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